A Long Way Home is a popular movie title.ĭirected by Andreas Senn.
#A LONG WAY HOME MOVIE 2010 TV#
IMDb is the worlds most popular and authoritative source for movie TV and celebrity content.Ī Long Way Home TV Movie 2003 cast and crew credits including actors actresses directors writers and more.
With Ken Duken Ulrike Folkerts Mira Bartuschek Oliver Stritzel.ĭirected by Julian Cornwell Harry Joseph. Ad Positive entertainment that changes lives inspires hearts and lifts the spirit.
#A LONG WAY HOME MOVIE 2010 FULL#
Watch A Long Way Home Full Movie on Vision Video Amid the splendor of breath-taking scenery relive the pain anguish and final victory as a firstborn son.īest Movies Of 2010 To Watch Good Movies List Peliculas Divertidas Pelis Peliculas A Long Way from Home 2013 info with movie soundtracks credited songs film score albums reviews news and more. War is something terrible to witness yet necessary to be recreated on film as long as History continues to repeat itself in forsaken parts of the world.Release Calendar Top 250 Movies Most Popular Movies. Here, events are marked by fatality well ahead it’s impossible to escape war or find the way home. Yet although The Long Way Home has a lot in common with The Way Back, its originality lies in its rejection of empathy. In contrast to images of epic vistas, the close-ups succeed in intimately penetrating into the very soul of its characters, revealing their wounds, their gazes… The master David Lean would have been pleased with the subtlety of such a visual performance! It is remindful of another, more recent, and also memorable movie about survival in a hostile environment, Peter Weir’s The Way Back (2010). Landscapes are indeed impressive and it is amazing that a debutant filmmaker has succeeded in avoiding the picture postcard gloss of the majestic nature before the camera, but has captured space at its most abstract and, despite the comfort of our seats, makes us feel small and frail. Nature is an important character in its own right. Each experience is equally valuable, no matter how desperate, therefore to speak of heroes or villains makes no sense. One way or another, everyone is a victim of war, yet no one is innocent.
Eseli not only avoids Manichean opposites of good versus bad, he also offers various points of view to the events evolving, making it impossible to single out one protagonist. This has to do with the characters every one of them is unique and inscrutable in his or her own way. The foremost achievement of the movie is therefore its authenticity. All its power comes from its understatement. It is said that desperate dramatic situations require adequately expressive artistic approaches, but this does not apply to the mise en scène of The Long Way Home (Eve Dönüs: Sarikamis 1915). And it is during this time of forced inactivity and torment that the director prudently stages the unfolding tragedy. All of them converge at the barn of an abandoned villa, which becomes a silent witness to the suffering of its accidental guests, famished and freezing. The group of refugees is later completed with a married couple of native farmers. They become the moral axis of the story, something that becomes more evident after they meet three soldiers of the defeated army who - as we discover later - are physically and spiritually undone by war. The first characters to attract out attention amidst this grand winter scenario are three war refugees, a mother, her little girl and an older man in charge of their protection. The first feature film of Turkish director Alphan Eseli develops in the aftermath of the Serikamis Battle, infamous for the catastrophic consequences it had on the moribund Ottoman Empire. Nothing uplifting could come out of such a situation but a movie about surviving. Seven people lost in a harsh landscape, far from civilization, surrounded by foreign troops.
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